No way Rosé!


Wine / Wednesday, November 10th, 2021

Shall we just get the bad news out of the way first?

We’re all out of 2016 Sparkling Pinot Noir…

With the exception of a handful of bottles we’ve stashed away to keep us going at the Cellar Bar for a few more days.

But after that, we’ll all be set to move onto our 2017 vintage. And luckily for us, the 17 is very similar to the 16. Rob is so excited about the 17 that he’s not even saving any of the 16 in his own collection!

There is a teeny tiny problem though…

The 2017 Sparkling won’t be ready for another couple of weeks. 

This means that there could be a few days there where I have to have something else as an after-work drink! Oh, and you may have to order a glass of Sauvignon Blanc or Rosé (or any of our other amazing wines!) if you visit us before the end of November.

 

“Hold on a minute… did you say Rosé?!”

 

Yes, indeed I did!

And this brings us to the very, VERY good news…

 

Somerled 2021 Pinot Noir Rosé

It’s back on the list and ready for your glass! Yippee!

And this is what Rob has to say about it…

“Well, here it is at last! Our 2021 Pinot Noir Rose – from Paul Henschke’s wonderful vineyard near Summertown. As usual, the fruit was in great condition. The sugar level was quite low at just under 12 Baumé and the acid quite high – perfect for Rosé production. The fruit was hand-picked and stored overnight in the cold room before loading direct into the press. The pressed out juice was pale and soft; it was settled, racked and yeast added to commence fermentation. So far, so good. Fermentation went really well – until just near the end when there was just a small amount of sugar remaining to ferment, the yeast decided it would give up! It happens sometimes, fortunately not very often. It took literally months to get the ferment going again and to get to completion. Malolactic bacteria were added to start the secondary fermentation, and unlike the first one, this fermentation went through very quickly. The end result is great – pale, beautifully coloured rosé, with bright berry aromas and a dry, soft palate with long elegant flavours and a crisp finish – perfect!”

 

It’s been quite a journey, but I promise you it is definitely worth the wait!

And while we’re talking Rosé, should we do a quick recap on what it is and how it’s made?

I think we should!

 

 

If there are a million ways to make a red wine, there are a billion ways to make a rosé. (Fact). Why?

Firstly, you can use ANY red wine grape

In Australia, the more common varietals used to make Rosé include shiraz, pinot noir and grenache. But also, merlot and cabernet sauvignon. Rob has used sangiovese to great effect in the past, but he absolutely favours that gorgeous perfume of pinot noir. Each carries its own flavour profile – cherry, perfumed, mulberry – just like the big reds.

Secondly, there are several ways to make it

Blending

Mix a red and white wine together and what do you get? A crudely made and not necessarily fabulous tasting rosé! This method is generally frowned upon.

Saignée (‘san-yay’) method

Rosé can also be made using the Saignée, or ‘bleed’ method. This involves ‘bleeding off’ a portion of the juice into a separate vat to finish fermentation. The remainder goes on to make red wine.

Maceration

When making big red wines, winemakers will crush, press right down and leave that juice on skins for days. They want maximum flavour, tannin and colour.

To make a rosé in this way, you simply need to leave it ‘on skins’ for a shorter period of time. But how long? Rob likes his Rosé fine, soft and pale – so he can’t have it pressed for too long or there will be too much tannin in the resulting wine. It is only ever in contact with the skins for a couple of hours. Others like to press for ages (up to 24 hours) and come up with a darker, more tannic version.

Thirdly – sugar

Rob ferments his right down so it’s bone dry, like the French. But with rosé in Australia, there has been a longstanding trend to stop fermentation before it finishes so that not all sugar is fermented – and you are left with a sweeter wine which can be appealing to some drinkers.

 

The permutations in the way these three aspects can be approached are endless. Of course .. if you’d like to try a version with Adelaide Hills Trophy Winning Heritage .. best order some of ours! (Shameless) (But true).

4 Replies to “No way Rosé!”

  1. I’m glad you’re now greeting our loyal blog readers the same way you greet me every day:
    “Shall we just get the bad news out of the way first?”
    Great blog Maree – Luce

  2. Hi Maree,
    Thought this article from Sunday’s SMH was worth sending to you in case it did not appear in your papers.
    Barry

    This clipping is from the November 7 issue of The Sydney Morning Herald Digital Edition. To subscribe, visit https://www.smh.com.au.

    Three new-wave Australian roses

    No need for ros coloured glasses
    The Sydney Morning Herald – Sunday, 7 Nov 2021 – Page 28

    Oliver’s Taranga 2021 Chica Mencia Rose,

    McLaren Vale $27

    Winemaker Corrina Wright proves just how stellar Spanish variety mencia can be in rose form. This creation is dry and savoury, and hits with florals and a tidal wave of watermelon. oliverstaranga.com

    Vino Intrepido 2021 The Sharpest Thorn Sangiovese Rose, Colbinabbin $28

    James Scarcebrook used this name due to the wine’s ‘‘ cuddly red fruit’ ’ and razor sharp, slightly herbaceous palate.vinointrepido.com

    Sigurd 2021 Rose, Barossa Valley $29

    Exciting young winemaker Dan Graham made his dry, textural, utterly thrilling rose using a motley crew of grape varieties and the result is spicy in all the right ways.sigurdwines.com

    Copyright © 2021 The Sydney Morning Herald

    The world of rose has changed, as anyone partial to Portugal’s Mateus Rose during the late 1980s can attest. The teardrop-shaped bottle and the sweet, deep-pink liquid was a worldwide hit. You couldn’t miss it. It was bright, like a stop light.

    Gone are the pink, super sweet stereotypes (although Mateus Rose can still be had for about $10 a bottle).

    A shift towards dry, savoury styles and the use of alternative varieties have added a layer of complexity, largely thanks to Provence rose making its way from the south of France to Australian shelves.

    Local producers and consumers have embraced the shift. North-East Victoria vigneron Mark Walpole is one of them. He has seen it all in more than 30 years as a viticulturist. ‘‘ When I first started in the industry at Brown Brothers in 1987, they were literally just getting rid of rose,’’ he says.

    ‘‘ There’s no doubt there’s far more diversity. That’s partially because there are far more Italian varieties available now. Sangiovese, nebbiolo, aglianico … you name it.

    ‘‘ De Bortoli’s nebbiolo-based rose has been extremely successful. Its savoury style and beautiful acidity and crispness seem to fit the current bill perfectly,’’ Walpole says.

    Walpole champions sustainable, alternative varieties and at his vineyard at Whorouly in the Alpine Valleys. He also has his own wine brand, Fighting Gully Road, under which he releases rose made with mourvedre (mataro) and sangiovese.

    Climate appropriate alternative varieties are on the rise. Walpole was a judge in the 2021 Australian Alternative Varieties Wine Show in Mildura this week, where the rose class had 38 entries (it peaked in 2017 at 57 entries).

    ‘‘ Italian varieties suit rose so well because they’re savoury and have so much natural acidity,’’ Walpole says. ‘‘ That’s the key. That beautiful tension from the acidity.’’

    Winemaker James Scarcebrook swears by sangiovese. His Vino Intrepido brand has many Victoriangrown Italian varieties.

    He says: ‘‘ I’ve only ever used sangiovese and have a love affair with Heathcote sangiovese. It has a bit more texture on the palate and retains its varietal character.’’

    Other options include dolcetto, with which DiGiorgio Family Wines took out the Limestone Coast Wine Show’s best sweet wine category with their 2021 Dolcetto Rose and Wangolina winemaker Anita Goode makes an offdry style using a mix of dolcetto and tempranillo.

    Scarcebrook says: ‘‘ Nebbiolo rose has surprised me. I was of the opinion that using nebbiolo was a waste when you can make such great red wine with it but it retains natural acidity and makes a really good rose.

    Copyright © 2021 The Sydney Morning Herald

    Sent from my iPhone

  3. Thanks so much for sending this through Barry… very interesting. It’s funny they mention Nebbiolo. One of our key growers is about to plant some and Rob is keen to have a look at it when it’s ready to make wine. Perhaps he could try a Rose?!

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